Above and Below

In the few hours that I have so far devoted to psychologist CG Jung’s recently published, The Red Book, most of that time has been spent gazing at the many images, which have so painstakingly been reproduced by digital imaging.

One dynamic recurs in many of Jung’s paintings: two forces, one pushing up from below, and one pushing down from above, meet in the middle. The two forces are generally imaged by Jung as obelisk-like forms, or half circles, or other forms that convey the forceful movement from below upwards, and from above downwards.

Right there in the middle, there often appears a mandala of some kind. Here, in the middle, where there is a tension between two poles, that is where the soul takes shape. That is where the individual human life becomes what it was intended to be.

Theoretical as this may sound, it does convey something common to our experience of psychological development and healing. In one way or another clients (and therapists!) are bringing various conflicts, various tensions from inner and outer life. The most basic tension may be this: everyone struggles to be who they truly, spontaneously are, given outer and inner realities that prevent the true self from coming into being. On the one hand, the outer environment and relationships may stifle the individual’s true self; on the other hand, the inner life of the individual’s personality may carry wounded or estranged parts of the self, and these also can stifle the expression of a person’s true being.

Each individual is in a developmental process through the whole life span, whether it is made conscious at all or not. Therapy brings a focus to the tensions and conflicts, the lost parts of self, the unknown strengths, and change begins to take place.

Jung used his own development as a person — “individuation,” in his terms — as a kind of experimental field where he could observe firsthand, from the inside, what happens as a person goes through major changes and comes to live more authentically the life given to her or him.